Category: Places and Travels

Travel and place experiences from India, Tamil Nadu, temples, paths, landscapes, and specific meeting spaces.

Bodhi ZendoBodhi Zendo — Zen Meditation, Silence and Practice in South IndiaBodhi Zendo

Bodhi Zendo I had ordered a book to take with me to Bodhi Zendo: „Zen in the Art of Ink Painting“ by Katharina Shepherd-Kobel. It's a beautiful book, it speaks to me and nurtures my desire to learn ink painting and deepen my meditation. When I started Zen meditation 3.5 years ago, the urge to go to Auroville awoke. The meditation in Bremen was strict, we followed the rules, eyes half-open focused on a point, recited sutras, had walking meditations, tea ceremonies...

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2nd lecture: Irumbai Temple as Yantram (Apparata)

During the Chola Empire, the layout of Shiva temples was highly formalized. Based on the Agamas and Shastras, the temple was fully developed into a place in space, time, and consciousness where the microcosm and macrocosm mirror each other. When a temple is built, a site will be chosen, and it has to be indicated as auspicious. Often an unusually friendly encounter with the animal realm is considered a good sign. The site then has to be…

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Chola Temple

During the Chola Empire, the layout of Shiva temples became highly formalized. Based on the Agamas and Shastras, the temple was fully developed into a locus in space, time, and consciousness where the microcosm and macrocosm mirror each other. The study of the Irumbai temple, as a smaller temple that follows the strict rules of temple architecture and serves as a practitioner's temple, reveals its central role in a cluster of about two dozen temples in the vicinity. It follows the main principles of Vastu,…

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Poetry and the impossibility of talking about highways

But Hitler built the Autobahn! I'm hearing this more and more often lately. It's difficult to continue this discussion because a certain argument, which I find very important, is quite complex and is rejected by people who want to relativize fascism and the Holocaust. The argument, inspired by Adorno, is: After Auschwitz, no more poems can be written. Roughly outlined, it goes like this: The extent of the horror of the Holocaust is so great that we, as individuals and as...

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