{"id":2734,"date":"2022-12-21T10:50:44","date_gmt":"2022-12-21T06:50:44","guid":{"rendered":"https:\/\/readingdeleuzeinindia.org\/?p=2734"},"modified":"2023-09-10T15:31:47","modified_gmt":"2023-09-10T10:01:47","slug":"amitabh-sengupta","status":"publish","type":"post","link":"https:\/\/readingdeleuzeinindia.org\/en\/amitabh-sengupta\/","title":{"rendered":"\"Exhibition of the works of Amitabh Sengupta at the Kalakendra Art Gallery, Auroville\""},"content":{"rendered":"<p>A major show of the woks from Amitabh Sengupta is on display at Kalakendra Art Gallery, Bharat Nivas, Auroville. In cooperation with <a href=\"https:\/\/www.artworldindia.com\">Sarala&#8217;s Art Centre<\/a> 70 paintings predominantly from the last decade can be seen. For the opening of the exhibition on Dec 16<sup>th<\/sup> 2022 the secretary of Auroville and the director of the Alliance Fran\u00e7ais lit the candle.<\/p>\n<p>Amitabh Sengupta was born in Calcutta in 1941 and graduated from Govt. College of Arts &amp; Crafts, Calcutta in 1963. From 1966 to 1969 he received a scholarship for the Ecole des Beaux-Arts in Paris, where he was witnessing the 68 student revolts. From 1977 until 1981 he joined the University of Port Harcourt in Nigeria, where he became Head of Creative Arts. He exhibited in India, Nigeria, Europe, and USA and currently lives in Calcutta.<\/p>\n<p>The works by Amitabh Sengupta show a vast spectrum of styles. It is impressive to see how much he engaged with western modernist tradition and yet maintained his roots in Indian traditions. We can see this in the colours, the traces of written words, the iconography. Going through the exhibition there are echoes of Pablo Picasso, Henri Matisse, Cy Twombly, Anselm Kiefer, Pierre Soulage, Jasper Jones, Paul Klee and many more.<\/p>\n<style id=\"bwg-style-0\">      #bwg_container1_0 #bwg_container2_0 .bwg_masonry_thumb_0 {        text-align: center;        display: inline-block;        vertical-align: middle;      \t          width: 100% !important;;      \t        margin: 0;        opacity: 1.00;      }\t\t\t\t\t\t      #bwg_container1_0 #bwg_container2_0 .bwg-container-0.bwg-masonry-thumbnails .bwg-item,      #bwg_container1_0 #bwg_container2_0 .bwg-container-temp0.bwg-masonry-thumbnails .bwg-item {        padding: calc(4px \/ 2);\t\t\t\t      }      #bwg_container1_0 #bwg_container2_0 .bwg-container-0.bwg-masonry-thumbnails .bwg-item0 {      \t        background-color:rgba(0,0,0, 0.30);        border: 0px none #CCCCCC;\t\t\t\topacity: 1.00;        border-radius: 0;      }      #bwg_container1_0 #bwg_container2_0 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href=\"https:\/\/readingdeleuzeinindia.org\/wp-content\/uploads\/photo-gallery\/imported_from_media_libray\/IMG_20221221_104534-scaled.webp?bwg=1671604124\" data-elementor-open-lightbox=\"no\">            <div class=\"bwg-item0\">              <div class=\"bwg-item1 \">      \t\t\t\t\t<img loading=\"lazy\" decoding=\"async\"  decoding=\"async\" class=\"skip-lazy bwg-masonry-thumb bwg_masonry_thumb_0  bwg_lazyload lazy_loader\"                       data-id=\"90\"                       data-src=\"https:\/\/readingdeleuzeinindia.org\/wp-content\/uploads\/photo-gallery\/imported_from_media_libray\/thumb\/IMG_20221221_104534-scaled.webp?bwg=1671604124\"                       data-width=\"500.00\"                       data-height=\"382.00\"\t\t\t\t\t\t\t\t\t\t   src=\"https:\/\/readingdeleuzeinindia.org\/wp-content\/plugins\/photo-gallery\/images\/lazy_placeholder.gif\"\t\t\t\t\t\t\t\t\t\t   alt=\"Amitabh Sengupta, Inscriptions, Terrain 3, 58 inches x 44 inches, 2018\"\t\t\t\t\t\t\t\t\t\t   title=\"Amitabh Sengupta, Inscriptions, Terrain 3, 58 inches x 44 inches, 2018\" \/>                <div class=\"\">                  \t\t\t\t                                            <\/div>              <\/div>            <\/div>                      <\/a>                  <\/div>              <div class=\"bwg-item\">          <a class=\"bwg-a  bwg_lightbox\"  data-image-id=\"91\" href=\"https:\/\/readingdeleuzeinindia.org\/wp-content\/uploads\/photo-gallery\/imported_from_media_libray\/IMG_20221221_104330-scaled.webp?bwg=1671604124\" data-elementor-open-lightbox=\"no\">            <div class=\"bwg-item0\">              <div class=\"bwg-item1 \">      \t\t\t\t\t<img loading=\"lazy\" decoding=\"async\"  decoding=\"async\" class=\"skip-lazy bwg-masonry-thumb bwg_masonry_thumb_0  bwg_lazyload lazy_loader\"                       data-id=\"91\"                       data-src=\"https:\/\/readingdeleuzeinindia.org\/wp-content\/uploads\/photo-gallery\/imported_from_media_libray\/thumb\/IMG_20221221_104330-scaled.webp?bwg=1671604124\"                       data-width=\"310.00\"                       data-height=\"500.00\"\t\t\t\t\t\t\t\t\t\t   src=\"https:\/\/readingdeleuzeinindia.org\/wp-content\/plugins\/photo-gallery\/images\/lazy_placeholder.gif\"\t\t\t\t\t\t\t\t\t\t   alt=\"Amitabh Sengupta, Untitled, Acryl on Canvas, 60x36, 2008\"\t\t\t\t\t\t\t\t\t\t   title=\"Amitabh Sengupta, Untitled, Acryl on Canvas, 60x36, 2008\" \/>                <div class=\"\">                  \t\t\t\t                                            <\/div>              <\/div>            <\/div>                      <\/a>                  <\/div>              <div class=\"bwg-item\">          <a class=\"bwg-a  bwg_lightbox\"  data-image-id=\"92\" href=\"https:\/\/readingdeleuzeinindia.org\/wp-content\/uploads\/photo-gallery\/imported_from_media_libray\/IMG_20221220_161114-scaled.webp?bwg=1671604124\" data-elementor-open-lightbox=\"no\">            <div class=\"bwg-item0\">              <div class=\"bwg-item1 \">      \t\t\t\t\t<img loading=\"lazy\" decoding=\"async\"  decoding=\"async\" class=\"skip-lazy bwg-masonry-thumb bwg_masonry_thumb_0  bwg_lazyload lazy_loader\"                       data-id=\"92\"                       data-src=\"https:\/\/readingdeleuzeinindia.org\/wp-content\/uploads\/photo-gallery\/imported_from_media_libray\/thumb\/IMG_20221220_161114-scaled.webp?bwg=1671604124\"                       data-width=\"449.00\"                       data-height=\"500.00\"\t\t\t\t\t\t\t\t\t\t   src=\"https:\/\/readingdeleuzeinindia.org\/wp-content\/plugins\/photo-gallery\/images\/lazy_placeholder.gif\"\t\t\t\t\t\t\t\t\t\t   alt=\"Amitabh Sengupta, Vanishng Forest, Acryl on Canvas, 60x54, 2013\"\t\t\t\t\t\t\t\t\t\t   title=\"Amitabh Sengupta, Vanishng Forest, Acryl on Canvas, 60x54, 2013\" \/>                <div class=\"\">                  \t\t\t\t                                            <\/div>              <\/div>            <\/div>                      <\/a>                  <\/div>              <div class=\"bwg-item\">          <a class=\"bwg-a  bwg_lightbox\"  data-image-id=\"93\" href=\"https:\/\/readingdeleuzeinindia.org\/wp-content\/uploads\/photo-gallery\/imported_from_media_libray\/IMG_20221220_160349-scaled.webp?bwg=1671604124\" data-elementor-open-lightbox=\"no\">            <div class=\"bwg-item0\">              <div class=\"bwg-item1 \">      \t\t\t\t\t<img loading=\"lazy\" decoding=\"async\"  decoding=\"async\" class=\"skip-lazy bwg-masonry-thumb bwg_masonry_thumb_0  bwg_lazyload lazy_loader\"                       data-id=\"93\"                       data-src=\"https:\/\/readingdeleuzeinindia.org\/wp-content\/uploads\/photo-gallery\/imported_from_media_libray\/thumb\/IMG_20221220_160349-scaled.webp?bwg=1671604124\"                       data-width=\"461.00\"                       data-height=\"500.00\"\t\t\t\t\t\t\t\t\t\t   src=\"https:\/\/readingdeleuzeinindia.org\/wp-content\/plugins\/photo-gallery\/images\/lazy_placeholder.gif\"\t\t\t\t\t\t\t\t\t\t   alt=\"Amitabh Sengupta, Untitled, Acryl on Canvas, 36x39, 2015\"\t\t\t\t\t\t\t\t\t\t   title=\"Amitabh Sengupta, Untitled, Acryl on Canvas, 36x39, 2015\" \/>                <div class=\"\">                  \t\t\t\t                                            <\/div>              <\/div>            <\/div>                      <\/a>                  <\/div>          <\/div>    <style>      \/*pagination styles*\/      #bwg_container1_0 #bwg_container2_0 .tablenav-pages_0 {\t\t\t\ttext-align: center;\t\t\t\tfont-size: 12px;\t\t\t\tfont-family: Ubuntu;\t\t\t\tfont-weight: 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function () {              spider_page_0(this, 1, 2, 'numeric');              return false;            });        \t\t\t\t\/* Change page on input enter. *\/        function bwg_change_page_0( e, that ) {          if (  e.key == 'Enter' ) {            var to_page = parseInt(jQuery(that).val());            var pages_count = jQuery(that).parents(\".pagination-links\").data(\"pages-count\");            var current_url_param = jQuery(that).attr('data-url-info');            if (to_page > pages_count) {              to_page = 1;            }\t \t\t\t\t\t\t\t\t\t\t\t\tspider_page_0(this, to_page, 0, 'numeric');\t\t\t\t\t\t\treturn false;\t\t\t\t\t\t          }          return true;        }        jQuery('.bwg_load_btn_0').on('click', function () {            spider_page_0(this, 1, 1, true);            return false;        });      <\/script>      <\/span>                <\/div>        <\/form>        <style>          #bwg_container1_0 #bwg_container2_0 #spider_popup_overlay_0 {          background-color: #EEEEEE;          opacity: 0.60;          }          <\/style>        <div id=\"bwg_spider_popup_loading_0\" class=\"bwg_spider_popup_loading\"><\/div>        <div id=\"spider_popup_overlay_0\" class=\"spider_popup_overlay\" onclick=\"spider_destroypopup(1000)\"><\/div>        <input type=\"hidden\" id=\"bwg_random_seed_0\" value=\"1525477668\">                <\/div>    <\/div>    <script>      if (document.readyState === 'complete') {        if( typeof bwg_main_ready == 'function' ) {          if ( jQuery(\"#bwg_container1_0\").height() ) {            bwg_main_ready(jQuery(\"#bwg_container1_0\"));          }        }      } else {        document.addEventListener('DOMContentLoaded', function() {          if( typeof bwg_main_ready == 'function' ) {            if ( jQuery(\"#bwg_container1_0\").height() ) {             bwg_main_ready(jQuery(\"#bwg_container1_0\"));            }          }        });      }    <\/script>    \n<p>I was wondering about that rich reference and the echoes of western modernity, and found the answer in Amitabh Sengupta\u2019s writings. In his \u201cMemoir of an Artist\u201d from 2014 he makes several times a reference to Rabindranath Tagore, most people will be familiar with his name as the first Nobel Prize winner in India. At the end of the chapter \u2018Indian Contemporary Art \u2013 an alternative modernity\u2019 Amitabh Sengupta writes: \u201cIn the absence of social dialogue, art is facing another challenge. The priorities of art commerce and global marketing are imposing pressure to remain \u2018modern\u2019 as constant reference to global trends. This was predicted by many, for example, Tagore, expressed admiration about western cultures, at the same time warned against the risk of coercion, which they saw a built-in process in the system.\u201c Amitabh Sengupta being part of the Bengal Art school takes Tagore to heart.<\/p>\n<h2>Art historical narratives<\/h2>\n<p>We can recall Rabindranath&#8217;s poem Namaskar to Sri Aurobindo published 1907 as it is well known. Rabindranath admired Sri Aurobindo\u2019s fight against colonialism and oppression and supported him during his time in prison. Aurobindo\u2019s book Renaissance in India with articles from 1918-21 comes to mind. But while the western eye can learn from Aurobindo how to see Indian Art through the Indian perspective, Rabindranath warns of the power of modernism in the visual arts for Indian Artist.<\/p>\n<p>Here lay the roots of the negotiation between western modernist and Indian culture in the 20<sup>th<\/sup> century. We see why the big show of Amitabh Sengupta fits into the Kalakendra Art Gallery, Bharat Nivas, Auroville. His work is informed by these discussions and addresses the struggles which western academic art historian theories have with not western art. Sengupta\u2019s oeuvre speaks to the difficulties Indian artists faced during the middle of the 20<sup>th<\/sup> century to be seen internationally.<\/p>\n<p>In 2021 Sengupta\u2019s \u201cThe History of Modernism in India\u201d was published, a 200 pages thick book that celebrates diversity in India and warns of the misconception by the west of a \u201cuniform and monolithic Hindu structure\u201d. Chapter 6 deals with Rabindranath Tagore\u2019s Dialectics of Art. How should the art of a young nation like India, that also has one of the oldest cultural histories in the world, respond to the dominating western modern concepts? We know that western modernism drew inspiration from its colonial exploitation of the other parts of the world (the prominent examples are Van Gogh, Picasso and Gaugin). That mistake may not be repeated by artist in countries that gained independence through painful paths.<\/p>\n<h2>Fluid mixtures<\/h2>\n<p>On Dec 20 2022 there was an artist talk planned. Art historian Dr. Ashrafi Bhagat gave an introduction lecture on the relevance of Amitabh Sengupta for the defining decades of the 1960ies in India. Artists had to find their voice, while connecting to the dominant western discourse, maintaining, and developing their own style. It was difficult, as there was criticism from all sides, either it was too western or not western enough, too traditional or not traditional enough, too subjective or not expressive enough\u2026 Amitabh Sengupta was an extraordinary productive artist, who masters many techniques like painting, drawing, printing, writing on the highest level. He is rooted in Indian history and its visual language and creates pictorial spaces that contain cultural memories, realistic spacial representation on an abstract plane, juxtaposed with remanences of signs and geometrical forms.<\/p>\n<div class=\"wp-playlist wp-video-playlist wp-playlist-light\">\n\t\t<video controls=\"controls\" preload=\"none\" width=\"748\"\n\t\t height=\"421\"\t><\/video>\n\t<div class=\"wp-playlist-next\"><\/div>\n\t<div class=\"wp-playlist-prev\"><\/div>\n\t<noscript>\n\t<ol>\n\t\t<li><a href='https:\/\/readingdeleuzeinindia.org\/wp-content\/uploads\/2022\/12\/Ashrafi-Bhagat-on-Amitabh-SenGupta.mov'>Ashrafi Bhagat-on-Amitabh SenGupta<\/a><\/li>\t<\/ol>\n\t<\/noscript>\n\t<script type=\"application\/json\" class=\"wp-playlist-script\">{\"type\":\"video\",\"tracklist\":true,\"tracknumbers\":true,\"images\":true,\"artists\":true,\"tracks\":[{\"src\":\"https:\/\/readingdeleuzeinindia.org\/wp-content\/uploads\/2022\/12\/Ashrafi-Bhagat-on-Amitabh-SenGupta.mov\",\"type\":\"video\/quicktime\",\"title\":\"Ashrafi Bhagat-on-Amitabh SenGupta\",\"caption\":\"\",\"description\":\"\",\"meta\":{\"length_formatted\":\"19:23\"},\"dimensions\":{\"original\":{\"width\":640,\"height\":360},\"resized\":{\"width\":748,\"height\":421}},\"image\":{\"src\":\"https:\/\/readingdeleuzeinindia.org\/wp-content\/uploads\/2022\/12\/Ashrafi-Bhagat-on-Amitabh-SenGupta-mov-image-jpg.webp\",\"width\":640,\"height\":360},\"thumb\":{\"src\":\"https:\/\/readingdeleuzeinindia.org\/wp-content\/uploads\/2022\/12\/Ashrafi-Bhagat-on-Amitabh-SenGupta-mov-image-jpg-150x84.webp\",\"width\":150,\"height\":84}}]}<\/script>\n<\/div>\n\t\n<p>Walking through the exhibition, one sees that the pictorial spaces in his series called \u2018Pyramids\u2019 or \u2018Inscription\u2019 are abstract composition with semiotic echoes, that activates an inner space that is associated with the path of mediation since the Vedic texts. Amitabh Sengupta\u2019s art is not explicitly spiritual, but it becomes sensible that the inner experience, the conscious mind, the creative expression, and the pictorial representation are interlinked within his body of work. Amitabh Sengupta however does not shy away from commentary on global issues with his drawing relating to the Covid-19 crises or his paintings relating to topics of urbanization and globalization.<\/p>\n<p>Amitabh Sengupta voice is strong and manifests an intermiscence, i.e. a mixture of sensations, styles, thoughts, signs, space and memory that reminds me of movement of thoughts in Gilles Deleuze\u2019s philosophy and Sri Aurobindo\u2019s commentary on the Kena <a href=\"https:\/\/readingdeleuzeinindia.org\/tag\/upanischaden\/\">Upanishad<\/a>. There that strange word of \u2018intermiscence\u2019 appears at a place that explains the creations of rhythms and forms.<\/p>\n<p>For <a href=\"https:\/\/readingdeleuzeinindia.org\/tag\/deleuze\/\">Deleuze<\/a> art is thought in matter, it is also a territory in which we build our home \u2013 literally and metaphorically. The different material elements in Amitabh Sengupta\u2019s work, the planes of composition, the connection of signs, the yantras of geometrical shapes, the pictorial space and memory invite the viewer to explore his\/her inner space, where one defines home. It doesn\u2019t matter from where you come, Amitabh Sengupta\u2019s work invites everyone on that journey. Whether this is some sort of \u2018post-post -ism\u2019 is not relevant. That is the power of art that dares to address existential questions.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">Further readings:<\/span><\/p>\n<div class=\"csl-bib-body\">\n<div class=\"csl-entry\">artamour. \u201eAmitabh Sengupta: Explorer of Art\u201c. artamour, 18. Juni 2021. <a href=\"https:\/\/www.artamour.in\/post\/amitabh-sengupta-explorer-of-art\">https:\/\/www.artamour.in\/post\/amitabh-sengupta-explorer-of-art<\/a>.<\/div>\n<div class=\"csl-entry\">\n<div class=\"csl-bib-body\">\n<div class=\"csl-entry\">Sengupta, Amitabh. \u201eThe History of Modernism in India\u201c. <i>Swati Publications<\/i>, 1. Januar 2021. <a href=\"https:\/\/www.academia.edu\/45131805\/The_History_of_Modernism_in_India\">https:\/\/www.academia.edu\/45131805\/The_History_of_Modernism_in_India<\/a>.<\/div>\n<\/div>\n<\/div>\n<div>\n<div class=\"csl-bib-body\">\n<div class=\"csl-entry\">Gilles Deleuze, Felix Guattari. <i>What Is Philosophy?<\/i> Columbia University Press, 1996.<\/div>\n<div class=\"csl-entry\">Sri Aurobindo. <em>T<\/em><span id=\"productTitle\" class=\"a-size-extra-large\"><em>he Upanishads-II: Kena and Other Upanishads.<\/em> SriAurobindoAshram Publication Dept, 2016 <\/span> <span id=\"productSubtitle\" class=\"a-size-large a-color-secondary\"> <\/span><\/div>\n<div><\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The works of Amitabh Sengupta show a broad spectrum of styles and reflect the challenges faced by Indian artists in the 20th century. A major exhibition of his work is currently on display at the Kalakendra Art Gallery. Find out more about his influences and his significance for the Indian art scene.<\/p>","protected":false},"author":1,"featured_media":2738,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[371,372,3,373],"tags":[230,339,352,14,203,728],"class_list":["post-2734","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aurobindo","category-deleuze","category-kultur","category-kunst","tag-auroville","tag-global","tag-kena","tag-moderne","tag-system","tag-thought"],"_links":{"self":[{"href":"https:\/\/readingdeleuzeinindia.org\/en\/wp-json\/wp\/v2\/posts\/2734","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/readingdeleuzeinindia.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/readingdeleuzeinindia.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/readingdeleuzeinindia.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/readingdeleuzeinindia.org\/en\/wp-json\/wp\/v2\/comments?post=2734"}],"version-history":[{"count":2,"href":"https:\/\/readingdeleuzeinindia.org\/en\/wp-json\/wp\/v2\/posts\/2734\/revisions"}],"predecessor-version":[{"id":4552,"href":"https:\/\/readingdeleuzeinindia.org\/en\/wp-json\/wp\/v2\/posts\/2734\/revisions\/4552"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/readingdeleuzeinindia.org\/en\/wp-json\/wp\/v2\/media\/2738"}],"wp:attachment":[{"href":"https:\/\/readingdeleuzeinindia.org\/en\/wp-json\/wp\/v2\/media?parent=2734"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/readingdeleuzeinindia.org\/en\/wp-json\/wp\/v2\/categories?post=2734"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/readingdeleuzeinindia.org\/en\/wp-json\/wp\/v2\/tags?post=2734"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}