This text deals with the theory of art in classical antiquity, in particular the concepts of mimesis and aisthesis and their significance for the representation of works of art. The relationships between subject, object and language are also discussed.
Here in Auroville, a play was recently taken off the program by the hosts of the Bharat Nivas. The reason given was that some in the community had taken offense even before it was performed. This raises questions. What is art allowed to do, when is a ban justified? Linked to this is, of course, the question of what is the task [...]
Wie sähe eine Welt aus, ohne den Fokuspunkt einer Linse? Unsere Augen haben eine Linse, die das Licht bündelt, auf einer Ebene fokussiert, damit die Retina dieses fokussierte Bild aufnehmen kann – als Bild in einer Eben. Die Lichtstrahlen werden von Rezeptoren eingefangen und an das Gehirn weitergeleitet. Diese Vibration der Nervenzellen wird in eine […]
Learn more about the artists and their inspiring practices in Pondycherry. Discover the visual language and spiritual depth of the art landscape around Auroville. Immerse yourself in the world of art beyond representational conception and discover the vibration of the senses. Experience how Deleuze's thinking and the Kena Upanishads are interwoven. Be inspired by the question of the body without organs and discover the limits of the physical body.
A friend recently asked me about the relationship between Eastern and Western culture. This is of course a huge question, which I also ask myself and which of course nobody can really answer. But I would like to formulate a few thoughts: The distance from an imagined center of The 'Western' world, based on classical antiquity, Christianity, the [...]
"the eye thinks even more than it listens" (Deleuze) I now remember that before I started reading Deleuze, I had been working on process aesthetics. I made a 100-page manuscript, with notes, quotations, structural sketches. I wanted to get away from the idea that art consists of objects that are perceived in a particular form, because [...]